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n. infantile pattern of suckle-swallow movement in which the tongue is placed between incisor teeth or between alveolar ridges during initial stage of swallowing (if persistent can lead to various dental abnormalities) v. [content removed due to Bush campaign to clean up the internet] n. act of nyah-nyah v. pursuing with relentless abandon the need to masticate and thrust the world into every bodily incarnation in order to transform it, via the act of salivation, into nutritive agency
Saturday, February 04, 2006
fallow falling fell
Visual Narration Assignment from my New Letterpress Book-Making Class
*Using 1 image, and only 1 image, create a visual narration over a series of pages.
*You may change the image in any way, via digital or hand-done means, to create the narration.
*In this case, "narration" means "traditional linear narration," using Freitag development.
*Use one blank page somewhere in the narration to act as a dramatic pause.
*No text.
Lessons I Learned
Lesson, or Question, #1: If a single image is cut into pieces and re-arranged in a way that is devoid of the original context (the whole), is it really 1 image, or a new series of images? I think my teacher--and I, when I thought about it--felt I had fudged a bit on the assignment by using a series of pieces from a single poster. The overall effect was not of focus on the capacity of 1 image to change, but rather on the ability of a series of different images to come together.
Lesson #2: A single image can be changed by panning in and out for framing reasons, focusing on parts of an image and blurring others, snipping a fragment out and moving it around within the overall image, removing or erasing part of an image to create new focus, changing the placement of the image on the page, changing the page/paper on which the image is placed, adding or subtracting, changing lighting or hue, and so forth.
Lesson #3: The graphic artists with whom I'm taking the class know quite a bit more about visual design, but more importantly Illustrator and the printer options of our school than I, the writer, do. I will have to hunt them down and have them show me how to print in color on different paper weights and stocks.
Lesson #4: This class is going to be hard and time-consuming. It is going to make me think about the relationship of all materials to all materials. Metaphysical, etc.
Note to #4: Yesturday at 12:57, I accidentally printed Time on the palm of my hand in Universe 12pt. This happened when I spaced out and leaned onto my own letters. By 3:15, I had sweated it all off. Last night I dreamt about language that shattered and scattered across the page. Words revealed their meanings through visual narration of themselves. This class is going to be worth it.
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Oh, sweet wife! I love, Love, LOVE that you are taking this class. I also love you. I am also ENVIOUS that you get to take this class. Novel be damned! You are doing the right thing.
oh thankity Anne, I do think you are right. But I'm also taking the novel-writing class too... ha! one insane semester is going to kick my buttox, but hey, I was a bit lazy last semester, so now I'm gonna zzooooom. love you also my wifey, and i'll call you soon.
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